BERLIN PHILHARMONIC – OCTOBER 2019 SIBELIIUS “TAPIOLA” TCHAIKOVSKY VIOLIN CONCERTO with JANINE JANSEN SCHUMANN SYMPHONY NO.3 (“RHENISH”) “Der allseits beliebte Paavo Järvi gehört zu den Stammdirigenten der Berliner Philharmoniker. Die Zusammenarbeit hat sich in den letzten Jahren intensiviert. Zwei Mal pro Jahr steht er am Pult … Das nordische Repertoire liegt dem Esten immer am Herzen. Mit seiner letzten Tondichtung „Tapiola“ ist Jean Sibelius 1926 noch einmal in die Welt des finnischen Nationalepos „Kalevala“ eingetaucht. Das Stück ist nach dem Gott des Waldes benannt, und tatsächlich beginnt es wie ein romantischer Märchenwald mit ein paar vorbeihuschenden Schatten. Doch Järvi entzieht der Tondichtung bald den Boden der Gemütlichkeit und lässt eine spukhafte Gegenwelt zur Realität aufleuchten. Hier sind keine pittoresken Waldgeister am Werk, eher abgründige Gestalten. “Umso fröhlicher klingt Robert Schumanns Rheinische Sinfonie. Järvi nimmt sie musikantisch, ausgelassen, da hängt kein Klotz am Bein … Der Dirigent lässt sie schlank und rhythmusbetont spielen. Die Musiker drehen kräftig am Schwungrad und setzen viel quirlige Energie frei. Sie lassen Schumann nicht nur singen, sondern auch tanzen.” Berliner Morgenpost, Martina Helmig, 11 October 2019 “Nie war sie besser: Tschaikowskys Violinkonzert ist für Janine Jansen eine fast zwanzigjährige Erfolgsgeschichte, mit vielen Orchestern erprobt und bekräftigt. […]
Paavo Järvi is the new Chief Conductor and Music Director of Tonhalle-Orchester Zürich as of the 2019-20 season. Their first performances together were met with a rapturous welcome and look set to signal a promising and fruitful partnership. Together they have recorded a programme dedicated to various orchestral works by Olivier Messiaen, written both early and later in his career. The Messiaen album is released on 27 September to coincide with Paavo Järvi’s inauguration concert in Zürich on 2 October. The first season will be devoted to Järvi’s Nordic roots and opens with Sibelius’s Kullervo, to be followed by the complete cycle of Tchaikovsky symphonies, which Alpha Classics will release in March 2021 to accompany the reopening of the mythical Tonhalle after its extensive renovation and where the orchestra makes its home right on the banks of Lake Zürich.
Estonian Grammy Award-winning conductor Paavo Järvi is widely recognised as the musicians’ musician, enjoying close partnerships with the finest orchestras around the world. He serves as Chief Conductor of the Tonhalle Orchester-Zürich and the NHK Symphony Orchestra, Tokyo, and Artistic Director of Die Deutsche Kammerphilharmonie Bremen and the Estonian Festival Orchestra, of which he is also Founder. He is Conductor Laureate of the Frankfurt Radio Symphony, Music Director Laureate of Cincinnati Symphony Orchestra and Artistic Advisor of the Estonian National Symphony Orchestra. In addition to his permanent positions, Järvi is much in demand as a guest conductor, regularly appearing with the Berliner Philharmoniker, London’s Philharmonia Orchestra, Münchner Philharmoniker, Staatskapelle Dresden and the Orchestre de Paris, where he served as Music Director from 2010 to 2016. Each season concludes with a week of performances and conducting master-classes at the Pärnu Music Festival in Estonia, which Paavo Järvi founded in 2011 together with his father, Neeme Järvi. The success of both the festival and its resident ensemble – the Estonian Festival Orchestra – has led to a string of high profile invitations including recent performances at the BBC Proms, Hamburg Elbphilharmonie and a tour of Japan. With an extensive discography, Paavo Järvi’s […]
The long awaited new concert hall in Paris, designed by award winning French architect Jean Nouvel, opens on 14 January with three inaugural concerts performed by the Orchestre de Paris and conducted by Paavo Järvi. Following neither the ‘shoebox’ style (as at the Musikverein in Vienna), nor the ‘vineyard’ style (as at the Berlin Philharmonie), the Philharmonie de Paris invents a model all its own, with an adjustable concert hall based on the concept of envelopment. This original design required innovations in architecture, stage design and acoustical engineering. Though a high-capacity hall (2400 seats), the Philharmonie auditorium feels remarkably intimate. But this feeling can be mathematically explained: the distance between the conductor and the farthest spectator is only 32 metres (compared to 48 metres at the Salle Pleyel). ‘Evocative of immaterial, draped sheets of music and light, the hall suspends the listeners-spectators in space, on long balconies… This suspension creates the impression of being immersed in music and light’, explains the architect, Jean Nouvel. Visit the official website of the Philharmonie de Paris
This recording is the first in a series featuring the Orchestre de Paris and its Music Director Paavo Järvi. The programme offers three works by the late, lamented Henri Dutilleux (1916-2013), widely considered the most important French composer of the second half of the 20th century: Sur le même accord ‘Nocturne for violin and orchestra’, with violinist Christian Tetzlaff, the Symphony No.1 and Métaboles. The release coincides with the inauguration of the Philharmonie de Paris in January 2015, when Järvi and the Orchestra will perform the gala opening concerts.
Paavo Järvi recently conducted the Staatskapelle Berlin, receiving a glowing review from the Berliner Zeitung. He returns in May to conduct the Berlin Philharmonic in three concerts concerts featuring Schumann’s Overture, Scherzo and Finale in E Major, Prokofiev’s Concerto No. 2 in G minor and Shostakovich’s Symphony No. 1 in F minor. The soloist is Yuja Wang. “It really is a bit odd that Paavo Järvi’s name hasn’t been taken up at all in connection to Simon Rattle’s successor at the Philharmonic. The conductor has, until now, seldom appeared as a guest conductor with the orchestra and only as recently as two years ago was he re-invited to perform with them after a long gap. Perhaps Järvi comes across as too unpretentious, too musical; possibly because everything seems a little bit too easy to him. He sparks the public with reliable enthusiasm; and he has an extremely wide repertoire from almost all eras, which he serves with exceptionally good taste.” “This is what was experienced at Monday’s wonderful concert in the Philharmonie with the Staatskapelle. Järvi’s clarity and the orchestra’s silkily soft sound – these complemented the evening beautifully … Mozart’s G Major Piano Concerto (with Maria Joao Pires as […]
Paavo Järvi has been Artistic Director of The Deutsche Kammerphilharmonie Bremen since 2004 and, celebrating their 10th anniversary, they have just returned from a triumphant tour in Asia with concerts across Korea and Japan. Following their recent success performing and recording the complete cycle of symphonies by Beethoven and Schumann, this tour was dedicated to Brahms and concluded with four sold out performances at the Tokyo Opera City Hall featuring all four Brahms’ symphonies, as well as both piano concertos, the violin concerto, the violin and cello concerto and incidental music. Järvi and the ensemble will record their first Brahms’ disc for Sony in 2015 for release in 2016. The Korean Times wrote: “This performance marked the fifth by Järvi and the Bremen German Chamber Philharmonic in Korea but it was nonetheless staggering. Though many regard the music of German composer Johannes Brahms to be stately and imposing, Järvi’s interpretation was quicker, lighter and more lyrical”
On 29 November the Deutsche Kammerphilharmonie Bremen was awarded the Würth Prize for Corporate Social Responsibility and the “outstanding regional and youth projects which it has intiatied.” The commitment of the orchestral members was recognized for their ” vibrant introductions to musical life with a future”.